Cambridge Conversations in Translation concluded in style on Friday 26 May 2017 with a suitably trans-disciplinary one-day event on intersemiotic translation.
More
In 2016, the first Ways of Machine Seeing workshop asked how computers change the way we see the world. This year's conference will develop threads of last year's discussions. In this post, Leo Impett (École Polytechnique Fédérale de Lausanne) explores the themes analysed in 2016.
More
The Bible and Antiquity in Nineteenth-Century Culture, a major European Research Council-funded project at CRASSH, came to an end this May. Ruth Jackson looks back on her years as a researcher on the project.
More
CRASSH Research Projects Genius Before Romanticism and Making Visible teamed up with The Making and Knowing Project from Columbia University to crush the blue copper mineral at the Fitzwilliam Museum.
More
Congratulations to Hugo Drochon and Yvonne Salmon for their respective nominations for the Vice-Chancellor’s Public Engagement with Research Awards 2017.
More
James Williams won the inaugural Nine Dots Prize with his entry Stand Out of Our Light: Freedom and Persuasion in the Attention Economy. Here are some sample extracts from his 3,000-word response to the question 'Are digital technologies making politics impossible?'.
More
35-year-old James Williams, a doctoral candidate researching design ethics at Oxford University, was announced yesterday as the inaugural winner of the US$100,000 Nine Dots Prize.
More
The Nine Dots Prize is a new prize for creative thinking that tackles contemporary societal issues. Read more about the Prize and its funder, the Kadas Foundation.
More
Sir Richard Evans, Director of the Conspiracy and Democracy Project at CRASSH, on his review of Norman Ohler’s book Blitzed: Drugs in Nazi Germany.
More
An essay on Sarah Turner’s documentary film, Public House, written by The Alchemical Landscape convenor Yvonne Salmon.
More
Contributors
