CRASSH welcomes applications for British Academy Postdoctoral Fellowships.
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The Visual Anthropology Review's themed issue on photography underlines the profoundly historical character of the overall dialectics of the photographic seen and unseen.
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'The primary aim of Knowing Faith is to uncover the intervention of literary approaches in the early modern cultural debates about religious knowledge: why we need it, how to get there, where to stop, and how to recognise it once it has been attained.'
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What's on at the Cambridge Centre for Research in the Arts, Social Sciences and Humanities this Summer?
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We are delighted to present next year's research networks – of which many are new – as well as sixteen interdisciplinary conferences on a range of topics that include climate fictions, health inequality, queer migrations and the power of the pineapple.
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'Conflict between countries will rise alongside sea-levels and temperatures. We need to make sure that we resolve these conflicts politically rather than physically.'
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Professor Caroline Bassett has been appointed to the Professorship of Digital Humanities at the University of Cambridge.
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Judith Weik, Coordinator of Art at the Alison Richard Building, speaks to Cathy Lomax, whose work is featured in the Beauty Salon exhibition, which is located on all four floors of the Alison Richard Building at the University of Cambridge and runs until 14 June 2019.
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Many human beings have considered the powers and the limits of human knowledge, but few have wondered about the power that the idea of knowledge has over us.
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Ruth Jackson Ravenscroft's new book takes us through a series of Schleiermacher’s early ethical and philosophical writings, explaining how these texts inform and are matched in his religious and theological thought.
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