The Re- Network series this term is 'Canons Versus Icons', 5 sessions co-curated by Cristina Baldacci (Ca’ Foscari University, Venice), Clare Foster (CRASSH, Cambridge), and Francesco Giusti (Bard College Berlin)
A canon has been understood as a historical selection of cultural objects, characters, or persons imposed by an institutional or cultural elite via a top-down model of propagation, which tends to repress multiplicity; icons, on the other hand, have been more associated with popularity, chosen and shared according to a more horizontal process of circulation.
Canonical objects are often associated with objective qualities and a shared cultural identity; iconicity with an inherent power to generate personal affective responses. Looking at canons and icons together raises questions of agency; of community formation; and of the interplay between deliberate and inevitable repetitions in any set of cultural conditions. It asks whether cultural objects and subjects are mediated by gatekeeping authorities, or end-users; and encourages a view of culture not as encounters between subjects and objects (however intermedial) but as sets of tensions and relations in a constant state of change - a kind of resource for saying, or doing, something else.
Canon vs. Icons aims to discuss the cultural production and reproduction of aggregates across time and space, and the social corollaries of these imaginary formations, along with their putative ‘queering’ potentials.
- How do aggregates form? Who or what controls their criteria of inclusion, their status as a group - and in what action or experience does their reperformance consist?
- Who or what forms a canon? Is there always involvement of BOTH the visual and verbal?
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Administrative assistance: Networks@crassh.cam.ac.uk
Clare L. E. Foster (Founding Coordinator, CRASSH)
Cristina Baldacci (Contemporary Art, ICI Berlin)
Francesco Giusti (ICI Berlin)
Lucy Delap (Modern British History, Cambridge)
Jason Scott-Warren (Centre for Material Texts, Cambridge)
Daniel Margocsy (HPS, Cambridge)
Martin Zeilinger (Senior Lecturer. ARU)
Ross Cole (Music, Cambridge)
Rachel Stroud (Music, Cambridge)
Anne Alexander (Cambridge Digital Humanities, CRASSH) [2018-19]
Michael Byrne (Dance and Technology, Cornell, NY) [2018-19]
Satinder Gill (Music and Science,Cambridge) [2018-19]
Margherita Laera (Drama and Theatre, University of Kent) [2018-19]
Sophie Seita (English, Cambridge) [2018-19]
Francesca Root (MA Sociology, Cambridge) [2018-19]
Freddie Rokem (Theatre Studies, Chicago/Tel Aviv) [2018-19]
Ruichen Zhang (PhD Sociology, Beijing, Cambridge) [2018-19]
Dr Mischa Twitchin (Theatre and Performcance, Goldsmiths)
Dr Anne Alexander (Coordinator, Digital Humanities)
Prof Peter de Bolla (Faculty of English, Cambridge)
Dr Satinder Gill (Music and Science,Cambridge)
Dr Margherita Laera (Drama and Theatre, University of Kent)
Prof Richard Coyne (Architecture, Edinburg)
Lucy Delap (Lecturer in History and CI for The Business of Women’s Words: Purpose and Profit in Feminist Publishing)
Ella McPherson (Lecturer in the Sociology of New Media and Digital Technology, co-Director of the Centre of Governance and Human Rights)
Renaud Gagné (Reader in Classics, The History of Cross Cultural Comparatism)
Jason Scott-Warren (Co-director of the Centre for Material Texts, Faculty of English)
John Rink (Professor of Musical Peerformance Studies, Faculty of Music)
|Re Interdisciplinary Network|
|Towards An-Iconology: Environmental Images|
16 October 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
Andrea Pinotti (Milano), Caroline Van Eck (Cambridge)
|Canonising the Icon: Pompeii|
30 October 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
Maria Wyke (UCL)
|Re-Enacting Icons: Self-Portraiture and Selfies|
13 November 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
Gabriella Giannachi (Exeter), Cristina Baldacci (Venice)
|Passionate Affinities: Literature and Networks|
02 December 2019, Seminar Room SG1, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT Changed to Monday 5.00pm
Rita Felski (Virginia), Francesco Giusti (Berlin)
|Iconology and Performance|
09 December 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT Changed to Monday 5.00pm
Gabriele Brandstetter (Berlin), Clare Foster (Cambridge)
Why ‘Re-’?: Thinking Twice About Repetition by Clare L.E.Foster (Dec 2018)
New Dark Age: Technology and How Bridle Gets It Right, by Francesca Root (Jan 2019)
When are Copies More Authentic Than Originals? Factum Arte’s Adam Lowe in Conversation with Simon Schaffer (Nov 2018)
A Conversation About Re-: An Errant Glossary with Cristina Baldacci and Francesco Giusti by Clare L.E. Foster (March 2019)
See also at ICI Berlin
Follow the Re- Network’s own blog here.
The 'Re-' Interdisciplinary Network asks how and why we repeat, revive, re-enact, restage, reframe, remember, represent, and refer – to whom, when, where and why -- and why this a topical question in a digital era. It gathers researchers, teachers, writers and artists whose interest in topics related to cultural reproduction, repetition and reference extends beyond traditional disciplinary boundaries and the university/public divide.
It has long been understood that repetition in a public context is socially identifying: to repeat can never be neutral. The very concepts of culture and society -- as learned, shared, traditional -- depend on repetition. But understanding these mechanisms is a pressing issue in a technological present where repetition and recognisability are intimately related to power. From translation, adaptation, preservation, memorial and ritual to brand and social media ‘sharing’, our primary research aim is to explore whether different socially-driven practices of repetition might have meaningfully related structures, implications, and dynamics. We hope by bringing different knowledge systems and approaches together, new questions and principles might emerge: the agency of apparent consensus, for example; or the work done by label, category, and association, or how familiarity itself establishes, legitimises and persuades. What starts and changes a prevailing narrative, and for whom? How should we approach a thing that exists in reciprocity with its own notoriety?
Repetition is everywhere: embedded in human practices inevitably, as well as deliberately. “Re-“ takes a critical lens to this by asking, of any instance of repetition:
what constituencies/audiences are implied by a particular act of (re)address;
what else is being performed other than the repeated thing itself: values such as status, legitimacy, commemoration, continuity, authority, participation, legitimacy, identity, nation;
whether an act of repetition works to reinforce a status quo or change it - or both.
The network aims to shift public attention from what artworks and other kinds of public statements are, to what they do. Its long term goal is to help equip the public with a more fluent grasp of how cultural repetition offers an identity, frames a particular worldview, implies a consensus, and performs a persuasive past.
- Michaelmas 2018: Beyond Originals and Copies (how ideas of original/copy differ from culture to culture, and the extent to which a focus on ‘originals’ is a characteristically Western intellectual tradition, including sessions with Factum Arte).
- Lent 2019: Technologies of Reproduction (how different technologies of reproduction have different social and political affordances, including sessions with ICI Berlin and Cambridge Digital Humanities).
- Easter 2019: Iteration as persuasion in a digital world (how social processes driven by repetition such as cultural memory, belief-creation, and ideas of consensus change in digital contexts); in collaboration with AI and Society Journal
Keynote lectures 2018-19
Professor Freddie Rokem (Theatre Studies, Chicago/Tel Aviv) Nov 30th
Professor Richard Coyne (Architecture, Edinburgh) Feb 6th
Professor. Salvatore Settis (Classics, Columbia/Pisa) Feb 12th
CRASSH is not responsible for the content of external websites and readings. All speakers' views are their own.
|Re Interdisciplinary Network|
|Authenticities: Shakespeare’s Globe, Anatomical Drawings and Bach|
10 October 2018, Seminar Room, SG2, Alison Richard Building, 7 West Road
Penelope Woods (QMUL), Dr Dániel Margócsy (Cambridge), Rachel Stroud (Academy of Ancient Music) - Re-Interdisciplinary Network
|The Concept of the 'Original': Japan, African and Indonesia|
07 November 2018, Seminar Room SG2, Alison Richard Building, 7 West Road
Doris Jedamski (Leiden), Ashley Thorpe (RHUL), Osita Okagbue (Goldsmiths) - Re-Interdisciplinary Network
|Replicas: Perspectives from the History of Art and Science|
21 November 2018, Seminar Room SG2, Alison Richard Building, 7 West Road
Adam Lowe, (Factum Arte, Madrid), Simon Schaffer (Cambridge) - Re-Interdisciplinary Network
|The Repeating Work: Adaptation and Appropriation|
30 November 2018, Seminar Room S1, 1st Floor Alison Richard Building, 7 West Road.
Freddie Rokem (Chicago, Tel Aviv), Mischa Twitchin (Goldsmiths), Ross Cole (Cambridge), Martin Zeilinger (ARU) - Re-Interdisciplinary Network
|'Re- As an Embodied Practice (Workshop)|
23 January 2019, Judith E. Wilson Studio, Faculty of English, 9 West Road *NB Different venue and time today*
Sophie Seita (Cambridge/New York), Peter McMurray (Cambridge), Emma Attwood (Playwright, Director), Chana Morgenstern (Cambridge), Claudia Tobin (Cambridge & Royal Drawing School) - Re-Interdisciplinary Network
|Repetition as Claiming Space|
06 February 2019, Seminar Room SG2, Alison Richard Building, 7 West Road NB longer session
Richard Coyne (Edinburgh), Cristina Baldacci (Venice), Francesco Giusti (Berlin) - Re-Interdisciplinary Network
|Reimagining ‘The Classics'|
12 February 2019, Seminar Room SG2, Alison Richard Building, 7 West Road *NB Different time and room
Salvatore Settis (Columbia/Pisa) - Re-Interdisciplinary Network
|Translation as Performance|
23 February 2019, Room G21, Faculty of Classics, Sidgwick Avenue. NB Different venue and day.
Caroline Vout, Caroline van Eck, Peter McMurray, Rebecca Lämmle, Renaud Gagné, Robin Osborne, Simon Goldhill, Sam Barrett, Sean Curran (Cambridge), Erika Fischer-Lichte (Berlin), Martin Revermann (Toronto), Ross Parry (Leicester) - Joint event Re-Interdisciplinary and Performance Networks
|The Performer as Interpreter: an Embodied Double (Artist's talk)|
27 February 2019, Judith E. Wilson Studio, Faculty of English, 9 West Road *NB Different venue and time today*
Raphael Sbrzesny (Bremen) - Re-Interdisciplinary Network
|Technologies of Reproduction and the Craft of Activism|
06 March 2019, Seminar Room SG2, Alison Richard Building, 7 West Road
Annabelle Sreberny (SOAS), Anne Alexander (CDH, CRASSH) - Re-Interdisciplinary Network
|Re-Mediating the Political: Digital Culture and Temporality|
01 May 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
Rebecca Coleman (Goldsmiths), Carolyn Pedwell (Kent)
|The Psychology of Data|
15 May 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
Alan Blackwell (Cambridge), John Manton (London School of Hygiene & Tropical Medicine), Eva Giraud (Keele)
|The (Re)Shaping of Collective Memory|
29 May 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
John Sheridan (UK National Archives), Dacia Viejo Rose (Cambridge), Annamaria Motrescu-Mayes (Cambridge), Martin Zeilinger (Anglia Ruskin)
|Rethinking Repetition in a Digital Age|
12 June 2019, Seminar Room SG2, First Floor, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
Symposium. Online registration is now closed.
|Repetition, Revival, Reconstruction: The Visual Culture of Architecture 1750-1900|
14 June 2019, Seminar Room SG2, Alison Richard Building, 7 West Road, Cambridge, CB3 9DT
|Tacit Engagement in the Digital Age|
26 June 2019, Seminar Room SG1, Alison Richard Building, 7 West Road, CB3 9DT and Faculty of Music on 28 June, 11 West Road
Online Registration is closed