Alberto Corsin Jimenez (Consejo Superior de Investigaciones Cientificas, Madrid)
The Baroque Enhancement

In a letter to Walter Benjamin in which he responds to material from the Passagen-Werk, Theodor Adorno once observed: ‘every single sentence here is and must be laden with political dynamite; but the further down such dynamite is buried, the greater its explosive force when detonated.’ The comment echoes an earlier remark by Benjamin himself when he described a plan for writing a ‘journal of current affairs that would seek to understand the epoch through ‘vertical penetration’ and ‘a rationality driven to the limits of the possible’.’ These are both baroque images: images of profundity, depth, interiority and the vertical effects of allegory.

They recall and relate to other baroque tropes: the labyrinth, the archive and the library, or the ruin. They echo too elements of the material culture of scholarship: book collecting, knowledge buried in footnotes, marginalia, layered writing and re-writing, thick description. A culture about the potency of still life – another baroque image. There is, I want to suggest, an intensive dimension to academic engagement. Unlike horizontal or communicative styles of engagement with publics, academics carry forward in their relations to others the effects of such vertical and interior labours. Before and after the relation, then, there is a baroque enhancement.