Margaret Faultless (Cambridge University/Royal Academy of Music)
in conversation with
Margherita Laera (Drama and Theatre, University of Kent)
Can the score or text be re-conceived as a space that invites and activates social (inter)action, rather than a 'negative' category against which performance can be measured? How might networks of potential sociality be embedded in, and performed by, scores, texts, or scripts, themselves, whilst also leaving space for the creative agency of, and interaction, with social actors?