Professor Andrew J. Webber (Department of German and Dutch, University of Cambridge)
This paper considers the 2005 film Gespenster (Ghosts) by
one of Germany’s leading contemporary directors, Christian Petzold. It is a
film about identity, relationship and loss, set between the cultivated
wilderness of the Tiergarten Park and the sterilised modernity under
surveillance of the reconstructed Potsdamer Platz. Reading the film with
Derrida’s Specters of Marx, the paper
considers what is the character – ontological and political – of the haunting
that gives the film its title.
Prof Andrew Webber is Professor of Modern German and Comparative Culture at the University of Cambridge. He undertakes research in German and Austrian culture in the modern period, with special interests in narrative writing, film, and cultural theory and analysis. Much of his published work is concerned with issues of identity, both personal and social. He has an active interest in psychoanalysis and in theories of gender and sexuality, with many publications in these areas. His most recent work has been concerned with urban space, and in particular Berlin, resulting in the book Berlin in the Twentieth Century: A Cultural Topography, which was published by Cambridge University Press in 2008.
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